History of English watercolors, paintings by old masters
Watercolor is often called the most capricious and unpredictable technique. This is due to the many nuances of the behavior of water-based paints. An artist inexperienced in watercolor painting, even…

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Fayum portraits: posthumous images of contemporaries of Christ that have come down to our days
Fayum portraits - ancient Roman provincial portraits, named after the Egyptian oasis Fayum, where they were found. The Greeks, who settled in Egypt in the period of 1 century BC.…

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"The Last Day of Pompeii" - mysteries, secrets, facts masterwork K. Bryullov
In the first century of our era there was a series of eruptions of the volcano Vesuvius, which were accompanied by an earthquake. They destroyed several flowering cities, which were…

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rightly noted

Creativity of the artist Sergey Y. Sudeikin, painting

After the October Revolution, the artist lived in the Crimea for two years, then a year in Tiflis and Baku, after which he emigrated to France – his path lay from Batumi, through Marseille, and in 1919 the artist moved to Paris. There he becomes a set designer: he collaborates with the Bat and Balaganchik theaters. The whole activity of these theaters was due to Sudeikin. D.Z. Kogan, who studied the heritage of the artist, notes that the creative principles of the artist largely influenced and determined the activities of the theater. “Here is a light genre with a claim to the meaningful“ fooling ”, and stylization, and lightweight grotesque, and the sharpness of shifts and displacements, and confusion of theater and life, truth and lies, and the combination of earthiness and sublimity. The sketches and programs designed by him were popular among Russian emigration mainly due to the “Russian national style”.
In Paris, draws ballet performances for the troupe A. Pavlova (ballet “Fairy Dolls” and “Sleeping Beauty”). Participates in the Russian group exhibition in the Paris gallery “Dancy”. Continue reading

Artist Konstantin Andreevich Somov, Soviet painting

Konstantin Somov is one of the representatives of Russian symbolism. The development of the artist’s style was largely influenced by his studies at the Paris-based Colorassi studio (1897–1899); it was then that he mastered the lessons of modern and French rococo. The scenes of his canvases resemble gallant balls and masquerades, which were characteristic of the bygone XVIII century. Modernity in his works is mystically connected with the previous epoch, the genre scenes of his canvases are reminiscences of the last century, his characters vaguely resemble puppet Watteau, Boucher and Fragonard, but unlike their predecessors, the artist endows those depicted more mystical ghostly than elegant elegance. V.A. Lenyashin rightly noted that the sources of Somov “beyond the borders of the past days” are much deeper, more blunt: Botticelli, Watteau, Hoffmann.
The ghostly transparent eroticism, without which Somov did not think of art, then permeates the irreversibly spicy pages of the Book of the Marquise, appears about (like the Casanova doll) in the naively challenging and mechanically outspoken image of Columbine. Continue reading

The most famous and popular painting styles
The modern Baroque is characterized by an abundance of ornaments and complexity of lines. Cubism is an avant-garde art movement that originated in the 20th century. thanks to Pablo Picasso,…

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10 world famous works of art that were never finished
When composers, artists or writers begin work on their works, they are sure that they will complete the work. Otherwise, why? But not always their aspirations are justified. Sometimes it…

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Creativity of the artist Sergey Y. Sudeikin, painting
After the October Revolution, the artist lived in the Crimea for two years, then a year in Tiflis and Baku, after which he emigrated to France - his path lay…

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