What pictures of Russian classics were banned from showing
We are accustomed to associate censorship bans with forbidden books or films. But even in such a seemingly harmless genre of art as painting, artists could go against the ideological…

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Avant-garde and socialist realism
Avant-gardism, developed in the literature by Vladimir Mayakovsky and Velimir Khlebnikov, since the 1910s has also spread powerfully in Russian painting. Back in the 1910s avant-gardism in Russia was fond…

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"The Last Day of Pompeii" - mysteries, secrets, facts masterwork K. Bryullov
In the first century of our era there was a series of eruptions of the volcano Vesuvius, which were accompanied by an earthquake. They destroyed several flowering cities, which were…

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Avant-garde and socialist realism

Avant-gardism, developed in the literature by Vladimir Mayakovsky and Velimir Khlebnikov, since the 1910s has also spread powerfully in Russian painting. Back in the 1910s avant-gardism in Russia was fond of Kazimir Malevich (who created the style of suprematism), Vasily Kandinsky, Vladimir Tatlin. The heyday of the Russian avant-garde came in 1914–1922. What was the avant-garde? Combining abstractionism, constructivism, cubism, suprematism and some other postmodernist movements in painting, he abandoned realism, while retaining an emphasis on the form of objects as such. Thus, Malevich’s Suprematism appeared in the 1910s as a writing style in the form of combinations of multi-colored planes and the simplest geometric outlines. Continue reading

Creativity of the artist Sergey Y. Sudeikin, painting

After the October Revolution, the artist lived in the Crimea for two years, then a year in Tiflis and Baku, after which he emigrated to France – his path lay from Batumi, through Marseille, and in 1919 the artist moved to Paris. There he becomes a set designer: he collaborates with the Bat and Balaganchik theaters. The whole activity of these theaters was due to Sudeikin. D.Z. Kogan, who studied the heritage of the artist, notes that the creative principles of the artist largely influenced and determined the activities of the theater. “Here is a light genre with a claim to the meaningful“ fooling ”, and stylization, and lightweight grotesque, and the sharpness of shifts and displacements, and confusion of theater and life, truth and lies, and the combination of earthiness and sublimity. The sketches and programs designed by him were popular among Russian emigration mainly due to the “Russian national style”.
In Paris, draws ballet performances for the troupe A. Pavlova (ballet “Fairy Dolls” and “Sleeping Beauty”). Participates in the Russian group exhibition in the Paris gallery “Dancy”. Continue reading

Nudity in the history of art: How to change the attitude to nu from Venus Paleolithic to classical painting
Thanks to Ivan Efremov and his "Tais of Athens", the general public became aware of the notions of "hymnophiles" - that is, those who sing nudity - and "hymnophobes" -…

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ANNI-ELIZABETH PERIOD OF THE HISTORY OF RUSSIAN PAINTING
In the Annensian era, the format of the coronation parade portrait was developed. The established scheme will exist for almost the entire XVIII century. At the end of the reign…

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Artist Konstantin Andreevich Somov, Soviet painting
Konstantin Somov is one of the representatives of Russian symbolism. The development of the artist's style was largely influenced by his studies at the Paris-based Colorassi studio (1897–1899); it was…

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