Participates in the exhibition
Leonardo da Vinci (1452-1519). As experts in the field of painting admit, the famous Italian Renaissance artist perfectly mastered the techniques of building a linear perspective. In fact, the sketch of the background is verified with mathematical precision — the glance glides along straight lines rushing to the central vanishing point * and is fixed on it. But look at the columns at the left edge of the picture. Don’t you notice anything strange? The columns are depicted in violation of the very perspective, which is so admired in the drawing of Leonardo. The column, which rests on the step, is depicted on two planes at once: the front (at the base) and the rear (at the level of the capital). And the second column is clearly out of place. Continue reading
Old English painting, English artists. Old engravings are always the pride of their owner, the decoration of any collection, the original, stylish part of the interior. If you want to furnish a house or a room in the English style, then antique engraving is absolutely necessary. The works of Dutch and German engravers are very good and found. But it is better to pay attention to the work of English artists. After all, what can harmonize with the interior in the English style better than the engraving of the old English master?
BEGINNING ENGRAVURES IN ENGLAND.
English school in engraving is much younger than Italian, German or Dutch. History of English prints, apparently, should be carried out from the end of the XV century. The first known engravings are placed in the book The Mirror of the World, published in 1480 at Westminster by the English pioneer William Kexton. The illustrations in the book are made in the technique of wood engraving. Continue reading
Avant-gardism, developed in the literature by Vladimir Mayakovsky and Velimir Khlebnikov, since the 1910s has also spread powerfully in Russian painting. Back in the 1910s avant-gardism in Russia was fond of Kazimir Malevich (who created the style of suprematism), Vasily Kandinsky, Vladimir Tatlin. The heyday of the Russian avant-garde came in 1914–1922. What was the avant-garde? Combining abstractionism, constructivism, cubism, suprematism and some other postmodernist movements in painting, he abandoned realism, while retaining an emphasis on the form of objects as such. Thus, Malevich’s Suprematism appeared in the 1910s as a writing style in the form of combinations of multi-colored planes and the simplest geometric outlines. Continue reading