"The Last Day of Pompeii" - mysteries, secrets, facts masterwork K. Bryullov
In the first century of our era there was a series of eruptions of the volcano Vesuvius, which were accompanied by an earthquake. They destroyed several flowering cities, which were…

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The mystery is revealed why Mona Lisa does not smile at everyone
Mona Lisa smiles? Smirks? Or just twisted her mouth? Maybe even contemptuously curled? Dr. Erika Siegel (Dr Erika Siegel) and colleagues from the University of California (University of California, San…

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interesting facts about the masterpieces of painting
Rafael Sistine Madonna 1512 Stored in the Old Masters Gallery in Dresden. The picture has a little secret: the background, seen from a distance, appears to be clouds, upon careful…

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integral part

Artist Konstantin Andreevich Somov, Soviet painting

Konstantin Somov is one of the representatives of Russian symbolism. The development of the artist’s style was largely influenced by his studies at the Paris-based Colorassi studio (1897–1899); it was then that he mastered the lessons of modern and French rococo. The scenes of his canvases resemble gallant balls and masquerades, which were characteristic of the bygone XVIII century. Modernity in his works is mystically connected with the previous epoch, the genre scenes of his canvases are reminiscences of the last century, his characters vaguely resemble puppet Watteau, Boucher and Fragonard, but unlike their predecessors, the artist endows those depicted more mystical ghostly than elegant elegance. V.A. Lenyashin rightly noted that the sources of Somov “beyond the borders of the past days” are much deeper, more blunt: Botticelli, Watteau, Hoffmann.
The ghostly transparent eroticism, without which Somov did not think of art, then permeates the irreversibly spicy pages of the Book of the Marquise, appears about (like the Casanova doll) in the naively challenging and mechanically outspoken image of Columbine. Continue reading

About art emigration from Russia to the West (1920-1950s)

The problem of including the artistic heritage of Russian emigration in the concept of the development of Russian art of the 20th century in our days does not cease to be relevant. The contribution of individual representatives is still insufficiently studied, since it is often complicated by the fragmentation of collections – the exhibits not only adorn the collections of European or US museums, but are also in private collections, from time to time becoming top positions of the world’s leading auction houses.
The artistic process after the Revolution of 1917 turned out to be broken in two – part remained in Russia, the other began to develop in emigration. It is impossible to say unequivocally that there were no similar mass exodus in the world history of art. There were a lot of examples when artists worked in a different national environment, and one of them is the formation of the international school of Paris. However, for artists from other countries, participation in it can only be considered a line in his personal biography. Continue reading

The most famous and popular painting styles
The modern Baroque is characterized by an abundance of ornaments and complexity of lines. Cubism is an avant-garde art movement that originated in the 20th century. thanks to Pablo Picasso,…

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10 world famous works of art that were never finished
When composers, artists or writers begin work on their works, they are sure that they will complete the work. Otherwise, why? But not always their aspirations are justified. Sometimes it…

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The history of modern art of Russia, contemporary painting of Russia
Post-Soviet (modern) Russian painting The variety of contrasts combines the face of modern art in Russia. The beginning of the 21st century is a kind of transitional moment in the…

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