Secrets of famous paintings
Works of art often become particularly popular if they are legends about them or if they unexpectedly turn out to be not what they seem at first glance. "Kultura.RF" reveals…

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PETROVSKY PERIOD OF RUSSIAN PAINTING
In the painting of Peter the Great, a sharp leap from the old to the new is especially noticeable, manifested in the study of European traditions in the shortest time…

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BOY WITH A TUBE by Pablo Picasso
The most expensive painting in the world? In 2004, at an Sotheby’s auction, an unknown buyer acquired the work of Pablo Picasso “Boy with a Pipe” (Garson and la Pipe)…

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Pissing pug, Lucifer and other ambiguous sculptures that caused a lot of controversy
Any art form is controversial, and statues are no exception. Considering that they are made, as a rule, in honor of famous people, objects or events, all people simply cannot…

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integral part

Artist Konstantin Andreevich Somov, Soviet painting

Konstantin Somov is one of the representatives of Russian symbolism. The development of the artist’s style was largely influenced by his studies at the Paris-based Colorassi studio (1897–1899); it was then that he mastered the lessons of modern and French rococo. The scenes of his canvases resemble gallant balls and masquerades, which were characteristic of the bygone XVIII century. Modernity in his works is mystically connected with the previous epoch, the genre scenes of his canvases are reminiscences of the last century, his characters vaguely resemble puppet Watteau, Boucher and Fragonard, but unlike their predecessors, the artist endows those depicted more mystical ghostly than elegant elegance. V.A. Lenyashin rightly noted that the sources of Somov “beyond the borders of the past days” are much deeper, more blunt: Botticelli, Watteau, Hoffmann.
The ghostly transparent eroticism, without which Somov did not think of art, then permeates the irreversibly spicy pages of the Book of the Marquise, appears about (like the Casanova doll) in the naively challenging and mechanically outspoken image of Columbine. Continue reading

About art emigration from Russia to the West (1920-1950s)

The problem of including the artistic heritage of Russian emigration in the concept of the development of Russian art of the 20th century in our days does not cease to be relevant. The contribution of individual representatives is still insufficiently studied, since it is often complicated by the fragmentation of collections – the exhibits not only adorn the collections of European or US museums, but are also in private collections, from time to time becoming top positions of the world’s leading auction houses.
The artistic process after the Revolution of 1917 turned out to be broken in two – part remained in Russia, the other began to develop in emigration. It is impossible to say unequivocally that there were no similar mass exodus in the world history of art. There were a lot of examples when artists worked in a different national environment, and one of them is the formation of the international school of Paris. However, for artists from other countries, participation in it can only be considered a line in his personal biography. Continue reading

Old English painting, English artists of the 17th - early 20th century
Collectors of antique painting conservative in their passions. The greatest interest are the Italian Renaissance masters, the old Dutch and German painters, the French Impressionists and some others. At the…

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About movement World of art of the beginning of XX century
The artistic association “World of Art”, formed at the beginning of the 20th century in Russia and partly emigrating after the Revolution, united such artists as artists L.S. Bakst, A.N.…

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