Soviet painting - the history of modern art
The culture of the Soviet and post-Soviet period is a bright large-scale coil of Russian heritage. The events of 1917 became the reporting point in the development of a new…

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The painting and its role in the art market
Inevitably come to mind the prophetic words of Andy Warhol, who recognized business in art and art in business. By this, the existence of the same motive, both in profit…

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"The Last Day of Pompeii" - mysteries, secrets, facts masterwork K. Bryullov
In the first century of our era there was a series of eruptions of the volcano Vesuvius, which were accompanied by an earthquake. They destroyed several flowering cities, which were…

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integral part

Artist Konstantin Andreevich Somov, Soviet painting

Konstantin Somov is one of the representatives of Russian symbolism. The development of the artist’s style was largely influenced by his studies at the Paris-based Colorassi studio (1897–1899); it was then that he mastered the lessons of modern and French rococo. The scenes of his canvases resemble gallant balls and masquerades, which were characteristic of the bygone XVIII century. Modernity in his works is mystically connected with the previous epoch, the genre scenes of his canvases are reminiscences of the last century, his characters vaguely resemble puppet Watteau, Boucher and Fragonard, but unlike their predecessors, the artist endows those depicted more mystical ghostly than elegant elegance. V.A. Lenyashin rightly noted that the sources of Somov “beyond the borders of the past days” are much deeper, more blunt: Botticelli, Watteau, Hoffmann.
The ghostly transparent eroticism, without which Somov did not think of art, then permeates the irreversibly spicy pages of the Book of the Marquise, appears about (like the Casanova doll) in the naively challenging and mechanically outspoken image of Columbine. Continue reading

About art emigration from Russia to the West (1920-1950s)

The problem of including the artistic heritage of Russian emigration in the concept of the development of Russian art of the 20th century in our days does not cease to be relevant. The contribution of individual representatives is still insufficiently studied, since it is often complicated by the fragmentation of collections – the exhibits not only adorn the collections of European or US museums, but are also in private collections, from time to time becoming top positions of the world’s leading auction houses.
The artistic process after the Revolution of 1917 turned out to be broken in two – part remained in Russia, the other began to develop in emigration. It is impossible to say unequivocally that there were no similar mass exodus in the world history of art. There were a lot of examples when artists worked in a different national environment, and one of them is the formation of the international school of Paris. However, for artists from other countries, participation in it can only be considered a line in his personal biography. Continue reading

PETROVSKY PERIOD OF RUSSIAN PAINTING
In the painting of Peter the Great, a sharp leap from the old to the new is especially noticeable, manifested in the study of European traditions in the shortest time…

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"Great castration": As covered up the shame in paintings and sculptures at different times
The history of art knows many examples when, at a change in cultural epochs, works created by predecessors begin to be perceived not quite rightly. Probably the most significant in…

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Oddities of pictures
Leonardo da Vinci (1452-1519). As experts in the field of painting admit, the famous Italian Renaissance artist perfectly mastered the techniques of building a linear perspective. In fact, the sketch…

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