Oddities of pictures
Leonardo da Vinci (1452-1519). As experts in the field of painting admit, the famous Italian Renaissance artist perfectly mastered the techniques of building a linear perspective. In fact, the sketch…

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"The Last Day of Pompeii" - mysteries, secrets, facts masterwork K. Bryullov
In the first century of our era there was a series of eruptions of the volcano Vesuvius, which were accompanied by an earthquake. They destroyed several flowering cities, which were…

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"Great castration": As covered up the shame in paintings and sculptures at different times
The history of art knows many examples when, at a change in cultural epochs, works created by predecessors begin to be perceived not quite rightly. Probably the most significant in…

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Graphics by Alexander Deineka 1920s-40s
Alexander Deineka entered the history of national art primarily as the author of mosaic panels and large thematic paintings, as an enthusiastic admirer of every technique, earthly and heavenly, as…

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wrong location

Oddities of pictures

Leonardo da Vinci (1452-1519). As experts in the field of painting admit, the famous Italian Renaissance artist perfectly mastered the techniques of building a linear perspective. In fact, the sketch of the background is verified with mathematical precision — the glance glides along straight lines rushing to the central vanishing point * and is fixed on it. But look at the columns at the left edge of the picture. Don’t you notice anything strange? The columns are depicted in violation of the very perspective, which is so admired in the drawing of Leonardo. The column, which rests on the step, is depicted on two planes at once: the front (at the base) and the rear (at the level of the capital). And the second column is clearly out of place. Continue reading

NINE SYMBOLS ENCRYPTED IN “SIKTINSKAYA MADONNE”
“The genius of pure beauty” - said Vasily Zhukovsky about the “Sistine Madonna”. Later, Pushkin borrowed this image and dedicated it to an earthly woman, Anne Kern. Rafael also wrote…

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About art emigration from Russia to the West (1920-1950s)
The problem of including the artistic heritage of Russian emigration in the concept of the development of Russian art of the 20th century in our days does not cease to…

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