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Our Gallery of Contemporary Art continues the series of articles on the history of art.
We invite everyone to visit our Master Classes and Lectorium on the history of painting, the methodology of attribution of objects of art, graphics, sculpture, history of fine art, which are held in Moscow. We recommend signing up in advance and identifying those topics of lectures that would be of interest to you. Come, it will be interesting.
Parisian women are born with all the flaws, but the wonderful fairy gives any flaw to their charm and enchantment. This fairy is grace.
The painting “Nude” was painted by Pierre Auguste Renoir during the transitional period of creativity, when the development of his art was approaching the zenith of fame after difficult years of misunderstanding and sharp criticism: “Rude blots, evoking thoughts about decaying flesh, were the first things about my paintings. Continue reading
Post-Soviet (modern) Russian painting
The variety of contrasts combines the face of modern art in Russia. The beginning of the 21st century is a kind of transitional moment in the history of art, when a process of rethinking the artistic heritage is taking place and lines for the further development of the visual arts are outlined. We live in a period when not only the life of the past generation gets rid of itself, but also as a result the spiritual component changes. People and their thoughts are going through a kind of renewal, and all this is the threshold of a new era. Continue reading
After the October Revolution, the artist lived in the Crimea for two years, then a year in Tiflis and Baku, after which he emigrated to France – his path lay from Batumi, through Marseille, and in 1919 the artist moved to Paris. There he becomes a set designer: he collaborates with the Bat and Balaganchik theaters. The whole activity of these theaters was due to Sudeikin. D.Z. Kogan, who studied the heritage of the artist, notes that the creative principles of the artist largely influenced and determined the activities of the theater. “Here is a light genre with a claim to the meaningful“ fooling ”, and stylization, and lightweight grotesque, and the sharpness of shifts and displacements, and confusion of theater and life, truth and lies, and the combination of earthiness and sublimity. The sketches and programs designed by him were popular among Russian emigration mainly due to the “Russian national style”.
In Paris, draws ballet performances for the troupe A. Pavlova (ballet “Fairy Dolls” and “Sleeping Beauty”). Participates in the Russian group exhibition in the Paris gallery “Dancy”. Continue reading