interesting facts about the masterpieces of painting
Rafael Sistine Madonna 1512 Stored in the Old Masters Gallery in Dresden. The picture has a little secret: the background, seen from a distance, appears to be clouds, upon careful…

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As a famous artist, Vasnetsov and his brothers created fabulous furniture for Russian theaters.
Viktor Mikhailovich Vasnetsov - one of the most famous Russian artists, his brother Apollinarius is also known, but rather those who are interested in historical painting and theater. The other…

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"The Last Supper": the story of the famous fresco by Leonardo da Vinci
The Last Supper by Leonardo da Vinci is one of the most famous images of the last meal of Jesus Christ with his disciples. He began work on it in…

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Oil painting - from old masters to modern
Also paints with a transparency effect were invented, thanks to which the previous paint layers are translucent, and I get a glow - a glaze technique. Artists of that era…

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memorial exhibition

What pictures of Russian classics were banned from showing

We are accustomed to associate censorship bans with forbidden books or films. But even in such a seemingly harmless genre of art as painting, artists could go against the ideological attitudes of power, because of which certain paintings were not accepted for display at public exhibitions. Several such stories happened in the Russian Empire, and they are connected not with some little-known artists, but with generally recognized masters of the brush.
One of the most famous Wanderers, Ilya Repin, by the 1880s, was an artist with great experience. Pavel Tretyakov bought his paintings, cultural figures posed for him – such as the writer Turgenev and the composer Musorgsky. In addition to portraits and a social theme (for example, “Barge Haulers on the Volga”), Repin was always interested in historical subjects. Continue reading

Artist Konstantin Andreevich Somov, Soviet painting

Konstantin Somov is one of the representatives of Russian symbolism. The development of the artist’s style was largely influenced by his studies at the Paris-based Colorassi studio (1897–1899); it was then that he mastered the lessons of modern and French rococo. The scenes of his canvases resemble gallant balls and masquerades, which were characteristic of the bygone XVIII century. Modernity in his works is mystically connected with the previous epoch, the genre scenes of his canvases are reminiscences of the last century, his characters vaguely resemble puppet Watteau, Boucher and Fragonard, but unlike their predecessors, the artist endows those depicted more mystical ghostly than elegant elegance. V.A. Lenyashin rightly noted that the sources of Somov “beyond the borders of the past days” are much deeper, more blunt: Botticelli, Watteau, Hoffmann.
The ghostly transparent eroticism, without which Somov did not think of art, then permeates the irreversibly spicy pages of the Book of the Marquise, appears about (like the Casanova doll) in the naively challenging and mechanically outspoken image of Columbine. Continue reading

PETROVSKY PERIOD OF RUSSIAN PAINTING
In the painting of Peter the Great, a sharp leap from the old to the new is especially noticeable, manifested in the study of European traditions in the shortest time…

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Secrets of famous paintings
Works of art often become particularly popular if they are legends about them or if they unexpectedly turn out to be not what they seem at first glance. "Kultura.RF" reveals…

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