Secrets of famous paintings
Works of art often become particularly popular if they are legends about them or if they unexpectedly turn out to be not what they seem at first glance. "Kultura.RF" reveals…

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Analysis of the work “The Birth of Venus” by Sandro Botticelli
The Renaissance is characterized by the intellectual and artistic flourishing of culture, which reached its peak in the 16th century. Medieval asceticism and contempt for all earthly things are now…

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"Morning in a pine forest" by Ivan Shishkin
The forest landscape with bear cubs playing on a fallen tree is perhaps the most famous work of the artist. Here are just the landscape design idea Ivan Shishkin suggested…

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memorial exhibition

What pictures of Russian classics were banned from showing

We are accustomed to associate censorship bans with forbidden books or films. But even in such a seemingly harmless genre of art as painting, artists could go against the ideological attitudes of power, because of which certain paintings were not accepted for display at public exhibitions. Several such stories happened in the Russian Empire, and they are connected not with some little-known artists, but with generally recognized masters of the brush.
One of the most famous Wanderers, Ilya Repin, by the 1880s, was an artist with great experience. Pavel Tretyakov bought his paintings, cultural figures posed for him – such as the writer Turgenev and the composer Musorgsky. In addition to portraits and a social theme (for example, “Barge Haulers on the Volga”), Repin was always interested in historical subjects. Continue reading

Artist Konstantin Andreevich Somov, Soviet painting

Konstantin Somov is one of the representatives of Russian symbolism. The development of the artist’s style was largely influenced by his studies at the Paris-based Colorassi studio (1897–1899); it was then that he mastered the lessons of modern and French rococo. The scenes of his canvases resemble gallant balls and masquerades, which were characteristic of the bygone XVIII century. Modernity in his works is mystically connected with the previous epoch, the genre scenes of his canvases are reminiscences of the last century, his characters vaguely resemble puppet Watteau, Boucher and Fragonard, but unlike their predecessors, the artist endows those depicted more mystical ghostly than elegant elegance. V.A. Lenyashin rightly noted that the sources of Somov “beyond the borders of the past days” are much deeper, more blunt: Botticelli, Watteau, Hoffmann.
The ghostly transparent eroticism, without which Somov did not think of art, then permeates the irreversibly spicy pages of the Book of the Marquise, appears about (like the Casanova doll) in the naively challenging and mechanically outspoken image of Columbine. Continue reading

"Great castration": As covered up the shame in paintings and sculptures at different times
The history of art knows many examples when, at a change in cultural epochs, works created by predecessors begin to be perceived not quite rightly. Probably the most significant in…

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BEGINNING ENGRAVATIONS IN ENGLAND
Old English painting, English artists. Old engravings are always the pride of their owner, the decoration of any collection, the original, stylish part of the interior. If you want to…

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Avant-garde and socialist realism
Avant-gardism, developed in the literature by Vladimir Mayakovsky and Velimir Khlebnikov, since the 1910s has also spread powerfully in Russian painting. Back in the 1910s avant-gardism in Russia was fond…

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