Art as a source of pleasure
Man is a social being. The history of mankind shows that people have always wanted to share their thoughts and feelings with other beings. Painting is one of the most…

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Russian avant-garde, Russian artist Kandinsky, Vasily Vasilyevich
Kandinsky became the creator of abstract art in its pure form, its theorist and creator. In his early works, which strongly influenced the French and German influence, and undoubtedly in…

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Secrets of famous paintings
Works of art often become particularly popular if they are legends about them or if they unexpectedly turn out to be not what they seem at first glance. "Kultura.RF" reveals…

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memorial exhibition

What pictures of Russian classics were banned from showing

We are accustomed to associate censorship bans with forbidden books or films. But even in such a seemingly harmless genre of art as painting, artists could go against the ideological attitudes of power, because of which certain paintings were not accepted for display at public exhibitions. Several such stories happened in the Russian Empire, and they are connected not with some little-known artists, but with generally recognized masters of the brush.
One of the most famous Wanderers, Ilya Repin, by the 1880s, was an artist with great experience. Pavel Tretyakov bought his paintings, cultural figures posed for him – such as the writer Turgenev and the composer Musorgsky. In addition to portraits and a social theme (for example, “Barge Haulers on the Volga”), Repin was always interested in historical subjects. Continue reading

Artist Konstantin Andreevich Somov, Soviet painting

Konstantin Somov is one of the representatives of Russian symbolism. The development of the artist’s style was largely influenced by his studies at the Paris-based Colorassi studio (1897–1899); it was then that he mastered the lessons of modern and French rococo. The scenes of his canvases resemble gallant balls and masquerades, which were characteristic of the bygone XVIII century. Modernity in his works is mystically connected with the previous epoch, the genre scenes of his canvases are reminiscences of the last century, his characters vaguely resemble puppet Watteau, Boucher and Fragonard, but unlike their predecessors, the artist endows those depicted more mystical ghostly than elegant elegance. V.A. Lenyashin rightly noted that the sources of Somov “beyond the borders of the past days” are much deeper, more blunt: Botticelli, Watteau, Hoffmann.
The ghostly transparent eroticism, without which Somov did not think of art, then permeates the irreversibly spicy pages of the Book of the Marquise, appears about (like the Casanova doll) in the naively challenging and mechanically outspoken image of Columbine. Continue reading

Creativity of the artist Sergey Y. Sudeikin, painting
After the October Revolution, the artist lived in the Crimea for two years, then a year in Tiflis and Baku, after which he emigrated to France - his path lay…

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Soviet painting - the history of modern art
The culture of the Soviet and post-Soviet period is a bright large-scale coil of Russian heritage. The events of 1917 became the reporting point in the development of a new…

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Socialist realism
Social realism as a way of perceiving reality and labor in an embellished form appeared in the USSR in the 1930s and was intended to replace the "bourgeois" art, which…

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