likely have been
The greatest miracle appears before the viewer in all its glory. The mystery that does not cease to excite the imagination of man is interpreted by the great master very logically and coherently.
Flies in the endless space of the Creator, surrounded by helper angels. The last great Matter is left to complete the Creation of the world – the creation of man, the only living being similar in image and inner filling with the Creator himself.
Accurate and sure gesture of God the Father. Divine energy has already begun to fill the body of the ideally composed Adam, the first of the people. Continue reading
Russian art in the Catherine period finally goes beyond one portrait form. A multi-genre painting system emerges at the Academy, and a historical picture appears. One of the brightest representatives of the first wave of academic students was A.P. Losenko.
ARTIST LOSENKO ANTON PAVLOVICH
A.P. Losenko called the founder of historical painting. Russian historical painting has not reached such heights as the art of portraiture. This canvas refers to the early period of the artist’s work, but he already had a certain level of preparation (before joining the Academy, IP Losenko was a student of IP Argunov). The historical genre, above all, served as an excellent experience for constructing a composition, drawing and improving the technique of oil painting. Historical painting very well embodied the principles of classicism. Continue reading
In the Annensian era, the format of the coronation parade portrait was developed. The established scheme will exist for almost the entire XVIII century. At the end of the reign of Elizabeth Petrovna, on the initiative of Shuvalov, the Academy of Arts was established. In the art of Elizabethan time, the beginning of the work of the Academy of Arts (1757) became a kind of watershed – it became customary to divide the art into pre-academic and post-academic periods in fine art. The main content of Elizabethan time for Russian painting is the so-called pre-academic state. In the visual arts of the Elizabethan period, portrait form is still the main one. As an important change, the appearance of a rocaille theme and tones should be noted.
Before us is a small-sized chamber portrait in the height of Empress Elizaveta Petrovna. The work, written by George Groot, a German painter, invited to Russia in 1741, was made in the rococo style. Continue reading