entrance to the neighboring
Painting “Starry Night”, Vincent Van Gogh
There is no artist in the world who would not be attracted to the starry sky. The author has repeatedly appealed to this romantic and mysterious object.
The master was closely within the real world. He considered that it was his imagination, the game of imagination, which was necessary for a fuller image. It is known that by the time the picture was created, the author was undergoing another course of treatment, he was allowed to work only if his condition improved. The artist was deprived of the opportunity to create in kind. He created many works during this period (including “Starry Night”) from memory.
Powerful, expressive strokes, thick colors, difficult composition – everything in this picture is designed for perception from a long distance. Continue reading
Oddities of pictures
Leonardo da Vinci (1452-1519). As experts in the field of painting admit, the famous Italian Renaissance artist perfectly mastered the techniques of building a linear perspective. In fact, the sketch of the background is verified with mathematical precision — the glance glides along straight lines rushing to the central vanishing point * and is fixed on it. But look at the columns at the left edge of the picture. Don’t you notice anything strange? The columns are depicted in violation of the very perspective, which is so admired in the drawing of Leonardo. The column, which rests on the step, is depicted on two planes at once: the front (at the base) and the rear (at the level of the capital). And the second column is clearly out of place. Continue reading
“Great castration”: As covered up the shame in paintings and sculptures at different times
The history of art knows many examples when, at a change in cultural epochs, works created by predecessors begin to be perceived not quite rightly. Probably the most significant in this case is an example of the appearance of fig leaves on antique statues. For the sake of moral preservation in the Middle Ages, thousands of ancient masterpieces were subjected to “great castration.” Interestingly, this tradition today takes on a “second wind”.
The subject of nude in art often becomes a stumbling block and is still a heated debate – does the artist have the right to reveal his model, is this really an artistic device or just a way to get unhealthy attention? Continue reading
